Bottom Shelf: Venus in Tullamarine with Bec Gynes

Norman Lindsay looms large in the exterior view of Australian art but seems to be increasingly inconsequential when interrogating what is being made and produced in this day and age. Edited by Cameron Hurst and Jeremy George, Venus in Tullamarine: Art, Sex, Politics and Norman Lindsay is a great book about an otherwise middling artist. Bec joined me this month to discuss our shared thoughts (and keep my increasingly unhinged pop-culture references at bay). In choosing our Bottom Shelf pick, we knew we wanted straight up Australian art history as neither of us actually grew up here, and in writing about art in Naarm/Melbourne, we’re constantly wanting to learn more. Lindsay is still a household name, especially for those of us who grew up reading The Magic Pudding, but his art is not often encountered “in the wild” so to speak. 

We talk broadly about censorship, the death of print media, whether the internet is actually forever, and the shifting tides of Australian art and culture. Ultimately we came to the shared conclusion that while the book is well worth the read, Lindsay’s art perhaps isn’t worth the second glance. 

If you’ve picked up Venus in Tullamarine (or will after reading this), let me know your thoughts about the following:

Is Lindsay’s art actually sexy, or is it erotic for the shock factor?

Have you reread The Magic Pudding as an adult, and if yes did it change your view of the values and cultural mores being written about?

Is there going to be a Norman Lindsay renaissance? 

Some promised links: 

The Magic Pudding / Bánh Thần: https://vimeo.com/319642989

OZ Magazine: https://www.vam.ac.uk/articles/oz-magazine-archive

Bec’s Further Reading

Books

  • The Magic Pudding - Norman Lindsay

  • Lady Chatterley’s Lover - D.H. Lawrence

  • The Portrait of the Artist as a Young Man - James Joyce

Films

  • Age of Consent

  • Sirens

Charlotte’s Further Reading

Actual Reading

  • Those Monuments Don't Know Us - Andy Butler

  • The Magic Faraway Tree - Enid Blyton

  • Art Monsters: Unruly Bodies in Feminist Art - Lauren Elkin

  • The Optical Unconscious - Rosalind Krauss

  • Ulysseys - James Joyce

Artists 

  • Margaret Coen

  • Frank Frazetta

  • Samuel Massey

  • James Nguyen

  • Nicholas Currie

  • Cat Lawrence

  • Katie Paine

Exhibitions

  • Enemies - TCB

  • As Long As You Love Me - George Paton Gallery

  • Venus in Tullamarine - George Paton Gallery

Charlotte McKinnon

Charlotte Kathryn McKinnon is an Australian-Canadian arts worker living and working in Melbourne/Naarm. Charlotte holds a BA in art history from the University of British Columbia alongside completing an MA at RMIT in Arts Management. Her research interests include protest art, postmodernism, and curation. Charlotte has previously lived in Canada, India, and Sri Lanka, and her work reflects an enduring interest in transnational stories.

https://www.instagram.com/charlotte_kathryn/
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Cristiano, McDermott, Lev Dupain - KINGS