exhibition review Bec Gynes exhibition review Bec Gynes

Idols and Oddities - Mailbox Art Space

Wunderkammer, literally translated from German means ‘wonder chamber’ or ‘room of wonders’. The term refers to cabinets of curiosities, collections of oddities and treasures, even royal collections of jewellery or similarly prized possessions. Which is exactly what Ivana Lilith has transformed Mailbox Art Space into. The nineteen wooden mailboxes are reflective of old school museum display cases: little vitrines to house precious treasures safe behind their glass. On first impression Lilith’s ceramic sculptures, her ‘oddities’, are delicate and feminine, being protected in their display cases. White and pink, with horses, swans, lilies, boobs and feminine curves being the first things you see. But when looking closer, this initial softness subsides - you see the hands ripping to open the chests of their headless figures. These are distorted, stretching, contorted humanoid creatures, some headless, others with devilish horns.

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