exhibition review Bec Gynes exhibition review Bec Gynes

Mèo/Mèo - Mary Cherry Contemporary

I’ve written about it before, but I am obsessed with the currently popular style of painting that views things softly, holding them in a blurry state of flux. But this isn’t to say that Melissa is doing what everyone else is doing!! Nguyen has a distinct style and voice in her paintings. From the neon Con Chó (Không Mèo) that greets you at the door, to the body of work around the corner in the main gallery space. Utilising a limited palette that blends into itself, each work becomes even more definite through colour. Hung together, Makamp and Vải Lanh, create a nostalgic and fragmented dialogue with each other. It reminds me of seeing my dad standing in his garden - the light filtering through the leaves, the ground soft beneath our collective feet, a memory hazy through time.  And Pokémon will always remind me of my childhood; playing on the Gameboy with my brother until it was too dark to see the screen anymore - I always picked Charmander as my starter. Reliving memories of the past can fragment them - replaying something and copying it in turn then creates something new.

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